Sony Alpha α7S III, Winner Best Stills/Video Camera
"Instead of chasing headline specs, Sony told us its priorities for the α7S III centered around reliability. In that spirit, it stuck with a 12MP sensor to capture native 4K, but its an all-new BSI sensor with dual gain architecture and fast rolling shutter performance. As a result, the camera can capture 4K/60p using the full width of its sensor, and up to 4K/120p with a slight (1.1x) crop, all in 4:2:2 10-bit color."
"The α7S III also benefits from updated codecs, including a new All-I 'intra-frame' option, 16-bit Raw video output over HDMI, and dual-twin card slots that support both SD and CFexpress Type A. It's also the first α7-series camera to feature a fully articulating screen in addition to Sony's class-leading AF system, and it can record 4-channel audio with a new XLR adapter."
Sony 12-24mm f/2.8 G Master, Best Zoom Lens
"Aimed at landscape and astrophotographers alike, it’s a lens that can replace a handful of primes thanks to its optical performance. It’s tack sharp wide open, and three extreme aspherical (XA), two Super ED and three ED (extra low dispersion) elements help the lens achieve little to no lateral or longitudinal chromatic aberration. Stars and city lights are faithfully rendered thanks to minimal coma, and the precision of XA element grinding ensures smooth bokeh with no onion-rings."
"It accepts rear-mount gel filters, and is fast to focus thanks to four extreme dynamic (XD) linear motors that allow it to keep up with the 20 fps frame rate of the Sony α9 cameras. A newer Nano anti-reflective coating allows for lower flare and ghosting. Video shooters will be pleased by the linear focus response, lack of focus breathing, focus shift, and axial shift while zooming."
Sony 20mm f/1.8 G, Winner Best Prime Lens
"The Sony 20mm F1.8G takes the top spot in our awards for prime lens of the year thanks to the fact that it's nearly optically flawless. It’s sharp enough wide open to pair with the high-resolution 60MP α7R IV, with nearly no lateral or longitudinal chromatic aberration to speak of - particularly impressive for a lens of this type. Bokeh is smooth with no onion rings or bright edges. "
"As the most well-corrected lenses of this type that we’ve ever seen, the Sony 20mm F1.8G easily wins our prime lens of the year."
See the full DRPreview Awards 2020 post at DPReveiw.com