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Since its introduction, the Sony α9 has been characterized as a camera that would be ideal for sports. Golf has been mentioned in particular because of the camera’s unique combination of silence and speed. At the PGA Championship in August, the camera was put to the test when Montana Pritchard used the α9 to shoot on and off the course for his client, The PGA of America. We caught up with Pritchard shortly after Justin Thomas was crowned 2017 PGA Champion.
Montana Pritchard: I have a contract with the PGA of America. I shoot the PGA Championship, advertising, commercial work and other events. This was a major championship and they are one of my biggest clients, so it was a big week with a lot of pressure. I shot with the Sony α9 quite a bit the week before, but I wasn't sure if I was going to go all in and shoot with it the whole time at the PGA Championship. When you’re under that kind of pressure, you want to make sure you're completely comfortable and you have complete confidence in the gear. Well, I ended up shooting everything at the PGA Championship with it. I carried two α9 bodies and a 100-400mm f/4.5-5.6 G Master, a 70-200 f/2.8 G Master and a 24-70mm f/2.8 G Master lenses.
Montana Pritchard: I’m producing content to be used on billboards, tickets and all the imagery that's around the event. It's a really big deal. I’m charged with covering everything from the crowds and the sponsors to the action on the course. It’s really a full-blown commercial job. I shoot interviews in the Golf Channel booth with the PGA President. I shoot the interiors of hospitality venues, crowd shots and more. On top of all that, of course, I’m covering the action on the course as well.
Photographer Montana Pritchard lining up his shot with the Sony α9 at the 2017 PGA Championship.
Montana Pritchard: Yes, that's exactly right. It's a game changer for golf. An absolute game changer. I've been doing this for 22 years and one of the things that was a lot of fun with the α9 was that it opened up a lot of opportunities to make images that I couldn't have made before. That was because of the silent mode and the shooting speed and the focusing speed. The ability to shoot at the top of a backswing when I’m not ten feet away and to do that in absolute silence is amazing.
Bubba Watson drives at the 2017 PGA. This video sequence was created from full-resolution still photos shot by Montana Pritchard at 20 fps with the Sony α9
Then, on the speed of the camera, it gave me the chance at catching the moment of impact on the ball, or capturing a guy who's throwing the club in the air. Having the ability to capture those sequences is revolutionary.
Photo by Montana Pritchard. Sony α9. Sony 100-400mm f/4.5-5.6 OSS G Master lens at 282mm. 1/1250-sec., f/5.6, ISO 1000
Montana Pritchard: There are a lot of shots that tell the story on the course, but photos with the ball in the frame are particularly important. I used to shoot a sequence with my previous camera and hope I got a shot with the ball. At this PGA Championship shooting with the α9, my assistant is going through the images and she’s having to choose between the six shots that have the ball. Instead of, "Okay, this one has the ball in it. That’s the shot," now she is choosing from a series that all have the ball and she’s looking for the one that has the best background and best shadows and other details. That's spectacular! Any time you get the chance to provide the client with the absolute best images, that’s what you want. You work really hard to get into position, and when the planets align and you have an uncluttered background and the good light and the right composition, it's great that the camera comes through for you.
Photo series by Montana Pritchard. Sony α9. Sony 100-400mm f/4.5-5.6 OSS G Master lens at 400mm. 1/2000-sec., f/5.6, ISO 500
Montana Pritchard: I think that Justin Thomas on 18 hitting out of a bunker toward the gallery stands out. That’s a shot I wouldn't have been able to get without this camera. I was very close, maybe a little too close, and it was dead quiet. I was able to start shooting the sequence at the top of his backswing without making noise and I ended up with images of the ball right at impact and coming out of the bunker. I just couldn’t have shot that without the α9.
Photo by Montana Pritchard. Sony α9. Sony 100-400mm f/4.5-5.6 OSS G Master lens at 100mm. 1/2000-sec., f/4.5, ISO 640
It wasn’t just the speed of the camera, though. The light during a golf tournament can be really harsh. You've got a lot of shadows and a lot of harsh light in big areas. The α9 really handled that all week.
Montana Pritchard: Yes, that’s right. Because what I do is different than just shooting the sport, it's important to me that I can use the camera for everything. I don't want to carry a bunch of extra gear, so for me, to be able to carry one camera and shoot strobe shots like the champion photo, and my interiors and crowd images, and then to be able to take the camera out and shoot the action on the course is a really big deal for me.
Photo by Montana Pritchard. Sony α9. Sony 100-400mm f/4.5-5.6 OSS G Master lens at 154mm. 1/125-sec., f/7.1, ISO 500
Photo by Montana Pritchard. Sony α9. Sony 24-70mm f/2.8 G Master lens at 42mm. 1/125-sec., f/4.5, ISO 100
Photo by Montana Pritchard. Sony α9. Sony 100-400mm f/4.5-5.6 OSS G Master lens at 294mm. 1/2000-sec., f/5.6, ISO 400
See more of Montana Pritchard's photography at his website.